Abuse of Perfect Data is a moving-image exploration of generational memory, using 16mm archival footage shot by the artist’s grandfather in the 1950s–60s. The film juxtaposes analog slowness with digital acceleration, reflecting on youth anxiety, cultural inheritance, and the transformation of personal archives in the age of data.

All that film is can be reduced to two elements: light and (proportionately structured) movement. And there are many possible answers to the question of what light and proportionate movement are. In REALTIME, Siegfried Fruhauf has decided on the most simple one, summing it up in the most symbolically unequivocal and, literally, most illuminating way: the sun. The light of the sun is the only type of lighting used to illuminate the movie screen in REALTIME. And the sunrise, filmed in realtime, is the only discernible motion – which makes us realize that all motion, in film and in the cosmos, is temporal. Everything else about film is negotiable, such as the fuzzy area between (justified) expectation and (actual) fulfillment, which is known as suspense. After the moving electric arc on the screen has been revealed to be a heavenly body, we have every reason to believe that it will continue its forward motion in an absolutely constant orbit. At the same time, we eagerly ask at which point (and/or through which points) the filmmaker will remove his gaze from it. Or the soundtrack, which also represents an arbitrary matter, and which is called music in the most arbitrary of cases. The irreversible movement of Fruhauf´s protagonist is accompanied by the groove of a playfully altered pop song – the absolute meter is subordinated to a moment of subjective duration. REALTIME returns the possibilities available to film to their absolute zero – and provides a clever hint at what can be reimagined proceeding from this point (and on to eternity).

NieR:Orchestra Concert 12024 [ the end of data ] contains new pre-recorded readings from the English voice actors of 2B and 9S set directly after the events of NieR:Automata.

The film follows two childhood best friends, Maya and Anjali, who join their college’s competitive Bollywood dance team only to discover that the road to winning the national championship is far more raucous and cutthroat than they ever imagined.

After a nearly fatal overdose, a young man with multiple personality disorder attempts to go one week without his medication.

An unwitting city slicker is made the marshal of a lawless town in this absurdist Western that pokes gentle but clever fun at the genre's stock plots and characters. Best of the West is an American sitcom that aired on ABC from September 1981 through August 1982.

Chris Isaak begins his third decade as one of the most distinctive recording artists- and the epitome of modern cool-with his first career-spanning retrospective.

With upsets, blowouts, submissions, a new weight class and one spinning-elbow knockout, UFC Best of 2014 recaps the year in 90 spellbinding minutes. Look back at defining moments from dominant titleholders including Jon Jones and Ronda Rousey, newly crowned champions including Carla Esparza and T.J. Dillashaw and white-hot stars on the rise like Conor McGregor. Plus, nearly four hours of bonus fights bring you all the action from signature performances by stars such as Johnny Hendricks, Robbie Lawler, Chris Weidman, Dan Henderson and more.

5 best friends put their friendships to the test in 3 time-testing challenges.