The story of the cross destiny of George Orwell (1903-50) and Aldous Huxley (1894-1963), the genius authors of the two most groundbreaking novels of anticipation of the 20th century: 1984 and Brave New World; two lucid witnesses of the maledictions of the modern world whose novels have found a considerable echo with our time.

With the rapid emergence of digital devices, an unstoppable, invisible force is changing human lives in ways from the microscopic to the gargantuan: Big Data, a word that was barely used a few years ago but now governs the day for many of us from the moment we awaken to the extinguishing of the final late-evening light bulb. This massive gathering and analyzing of data in real time is allowing us to not only address some of humanity biggest challenges but is also helping create a new kind of planetary nervous system. Yet as Edward Snowden and the release of the Prism documents have shown, the accessibility of all these data comes at a steep price. The Human Face of Big Data captures the promise and peril of this extraordinary knowledge revolution.

Abuse of Perfect Data is a moving-image exploration of generational memory, using 16mm archival footage shot by the artist’s grandfather in the 1950s–60s. The film juxtaposes analog slowness with digital acceleration, reflecting on youth anxiety, cultural inheritance, and the transformation of personal archives in the age of data.

A string of strange occurrences prompt a dedicated office worker to investigate the nature of his self contained reality

Izumiko Suzuhara (15) was born and raised at Tamakura Shrine, and always destroys any electrical device she touches. She decides to try living in the city, and enrolls in Houjou High School in Tokyo. With her are her guardians son and Izumiko's childhood friend Miyuki Sagara. While she's there, an entity called "Himegami" appears. She learns she is something called a "kami" a vessel for a shinto spirit, while Miyuki is a "yamabushi", a warrior meant to protect the "kami."

All that film is can be reduced to two elements: light and (proportionately structured) movement. And there are many possible answers to the question of what light and proportionate movement are. In REALTIME, Siegfried Fruhauf has decided on the most simple one, summing it up in the most symbolically unequivocal and, literally, most illuminating way: the sun. The light of the sun is the only type of lighting used to illuminate the movie screen in REALTIME. And the sunrise, filmed in realtime, is the only discernible motion – which makes us realize that all motion, in film and in the cosmos, is temporal. Everything else about film is negotiable, such as the fuzzy area between (justified) expectation and (actual) fulfillment, which is known as suspense. After the moving electric arc on the screen has been revealed to be a heavenly body, we have every reason to believe that it will continue its forward motion in an absolutely constant orbit. At the same time, we eagerly ask at which point (and/or through which points) the filmmaker will remove his gaze from it. Or the soundtrack, which also represents an arbitrary matter, and which is called music in the most arbitrary of cases. The irreversible movement of Fruhauf´s protagonist is accompanied by the groove of a playfully altered pop song – the absolute meter is subordinated to a moment of subjective duration. REALTIME returns the possibilities available to film to their absolute zero – and provides a clever hint at what can be reimagined proceeding from this point (and on to eternity).

NieR:Orchestra Concert 12024 [ the end of data ] contains new pre-recorded readings from the English voice actors of 2B and 9S set directly after the events of NieR:Automata.

The film follows two childhood best friends, Maya and Anjali, who join their college’s competitive Bollywood dance team only to discover that the road to winning the national championship is far more raucous and cutthroat than they ever imagined.

In an underground fight club, blackbelt Travis Brickley is killed after losing to the evil martial arts master Brakus. Travis' death is witnessed by Walter Grady, the son of his best friend Alex Grady. Alex and his partner, Tommy Lee, vow to avenge their friend's death by defeating Brakus and shutting down the fight club.

Velicanu considers himself a fulfilled person. He's got money, a new villa, married a younger woman and has a son from a previous marriage. Before the holidays he has to leave everything in order, but things start to get complicated. The crisis at the end of the day make him wonder whatever he is indeed a happy, fulfilled person...